Alarums. Tumult. Ruckus. Shattering of plates. Trumpets strike up Hail to the
Chief. Enter Caesar, Laura, Roveus, Cheneyus, Lynna, Scooterus, Rummeus,
Ashcroftus, a soothsayer
Caesar: Friends, fellow Americans, countrymen, lend me your ears!
Will S. O pox! The Bushie Caesar is fulfilling my worst fears
Not now, you twit! Nor thou! Thou jump’st the sword
With speech a tad untimely, twatty lord.
‘Tis not until Act three or four indeed,
So don’t fast-forward thus with undue speed.
Nor is it thine to speak, you bumbling fool
McCainus has this great rhetorical tool.
Vox populi: Nor is it ears he needs that we now lend,
But all our gold his deficits to end
Caesar: O oopsus! Poxus. Silly us, forsooth,
We do so love that speech and its fair truth,
That scarcely can we wait…
Cheneyus [aside]: We? Us? His mind
Deludes itself with grandeur of such kind
That e'en great Jove would don not.
[turning to Caesar] Welcome home,
My Lord, to this, thine own sweet personal Rome.
Caesar: And thou, O Rovie, hast thou now devised
A show to mask our lies with facts revised?
Stratagerem to back strategerie…
Wordsmith: ‘Sblood! Zounds! Our language suffers buggery.
The vilest butcher strikes again our tongue,
The serial murd’rer turns gold words to dung.
Caesar: A spectacle to stun with imagery?
The question is: is the Eye-raqis free?
Grammarian: ‘Tis plural, fool, ‘tis are, not is, ole mate!
Caesar: Whatever! Let a circus now elate
The beating hearts of our conserv’tive base.
Rovius: Indeed, it will, my lord, thy shining face
Upon the Lincoln, smirking in prime time,
In photo ops to beat the Demmy slime
In next year’s polls ads, under giant sign
‘Mission Accomplished!’ Let their hearts now pine!
And even more, with helmet of top gun,
Though Dad did fight in war but not the son,
Wilt thou appear the ult’mate alpha male.
And even though the Lincoln doth now sail
But yards from coast, the cam’ras we will train,
To justify your landing in a plane,
Far out to sea, e’en as we now delay
Its journey home so that you now can play
As superman.
Trumpet sennet
Caesar: Oh bully, Rovie, you’re,
Doing a heck ‘f a job, just give me more!
Set on and leave no ceremony out,
That gives my reelection added clout.
Renewed sennets
Rovius: Forsooth, I will. My devious mind doth toil…
Alarums, excursions. Enter sponsor 1
Sponsor 1: Did you say devious? Let us now talk oil.
With Halliburton's tasks, both small and large,
In Eye-rak none can beat our overcharge.
Prophets of profit are we, fully knowing
How to bulk up tenfold all that is owing.
Exit sponsor 1
Soothsayer: Caesar.
Caesar: Aha, who calls?
Rovius: A lowly seer.
Caesar: Cries Caesar? Speak! Caesar am turned to hear.
Grammarian: Odds bodkins! Here ‘tis is, not am, you fool.
Third person used for self follows that rule.
Soothsayer: Beware the Ides of March!
Caesar: Beware the brides?
Wordsmith: Oddsbodikins! A verbal woe betides!
He mangles even as he echoes words
And glorious lines transforms he into turds.
Caesar: What say’st thou to me now? Speak once again.
Soothsayer: Beware the ides, not brides, of March, birdbrain!
Rovius: Birdbrain say’th he? How dare he show such gall!
Caesar: All Gaul into three parts, without a wall,
Divided is - I wrote that - like Eye-rak
With Sunni, Shiite, Kurdies back to back.
Wordsmith: No, not that Gaul, but gall, you tin-eared fool!
That’s Gaul, but this is gall, you piece of stool!
Caesar: Then say it once again, full loud and clear!
Soothsayer: Of coming Ides of March do thou have fear!
Caesar: He is a dreamer. Let us leave him. Pass.
Sennet. Exeunt omnes line-dancing to the strains of Land
of Hope and Glory, except Cheneyus and Rummeus
Rummeus: And may it be he falleth on his arse!
Cheneyus: What say’st thou, Rummie? That he get the chop?
Flourish and shout
Writing C. Say not these word, I prithee Will! Stop, stop!
[panting] Thou knowest not that, even in a jest,
The FBI will fain make great arrest
Of thee, the Secret Service too? So joke
No deadly harm unto the Bushie bloke!
'Tis just as if at airport, just in fun,
Thou said'st: 'say guard, I have a bomb, a gun.'
For any word that could thus seem a threat,
Though jest or fiction, will with force be met.
Will S.: I knew not, no; for in the past I wrote
Of people further in the past of note,
Macbeth, Hamlet and Caesar One; so then
No fear of hurt or harm restrained my pen.
Writing C. Ah, Will, those were the days, but now be still!
For in his fever Bushie taps thy quill,
Without a warrant from the Court, forsooth;
For to the Constitution he’s uncouth.
Thus death must we redact out of the plot,
And daggers, too, stabs, gore, e’en mere blood clot.
Will S.: But, writing coach, how can I? My best lines
Come only when their beauty death defines.
‘O mighty Caesar, dost thou lie so low?’
Writing C. I know, my dear, it is a nasty blow.
But now revise the plot and try to scan…
Will S.: ‘Thou art the ruins of the noblest man
‘That ever lived in the tide of times…
Writing C. Out, out! That too must go, and all those rhymes.
Will S.: They rhymed not then, I told thee…
Writing C. Hold thy peace,
Lest even now his quill-tapping release
The FBI, that we regret our birth.
Will S.: ‘O, pardon me, thou bleeding piece of earth!’
Writing C. O, pox! Repeat not that. E’en now I feel
The piercing deadly thrust of G-men’s steel.
Guantanamo awaits us if you write
Of daggers sturdy and of deadly blight.
Will S. But what assassination can replace?
Writing C. I have it. We can save our hide and face
If we replace manslaughter in each speech
With bloodless tranquiliser like impeach.
Thus Gitmo we avoid should he detect
By tapping thy blest quill. For us protect
The First amendment and its many clauses.
Will S. Alas, you give my play the menopauses.
But be it so. So let us now proceed.
Cheneyus: What means this shouting? Do we now indeed
Hear cheers e’en here from Lincoln’s deck unfurled?
Rummeus: Why, man, he doth bestride the narrow world
Like a Colossus, and we petty men
Walk under his huge legs as in a den
Of lions, his huge legs…
Cheneyus: Eee-ew, how gross!
Rummeus: In truth, it makes me now indeed morose
That we cannot control him as we did
When first with judges’ nod past Gore he slid.
The fault, dear Cheney, is not in our stars,
But in ourselves, that sit we on our ars…
Why should that name be sounded more than yours,
Caesar than Cheney? Let it give us pause
For action now to stop his coronation
To cut him down.
Cheneyus: Mean'st thou assassination?
Flourishes and shouts; police sirens in the distance
Writing C. Oh, Will, sweet Will, remember what I said
[breathless] No stabs, no blood, no Caesar effing dead!
Just cut him down to size, or else we go
You, me, posthaste, pele-mele unto Gitmo.
In ev’ry speech, impeach, impeach, impeach!
‘Tis our last chance. I do thee now beseech.
Will S.: Ooops! Sorry, my mistake!
Cheneyus: …to clip his wings
In Congress, bloodless, with impeachy things?
Enter Caesar and his train
The games are done, and Caesar is returning
Rummeus: Like rotten food this gives me bad heart burning
Alarums, excursions. Enter sponsor 2
Sponsor 2: Take Nexium, the super purple pill,
For gastroesophagealic ill
And heartburn, bellyache, acid reflux.
Exit sponsor 2
Caesar: What mean'st? Heard I just now Hassid refux?
Writing C.: Gadzooks! He bringeth in a Jewish cult.
Each ev'ry phrase he butchers.
Will S.: Oy gevalt!
You see, o coach, I've learned the modern tropes
From thee; I know the yiddish, hip-hop ropes.
Caesar: McCainus!
McCainus: Caesar.
Caesar: Lo, without McC
Nicknaming-fond I dub, just Anus be!
Let me have men about me that are fat
And such as sleep a-nights, too tired to rat.
Yond Rummeus has a lean and hungry look.
He thinks too much. According to my book
That is not good. Such men are dangerous
McCainus: Fear him not, Caesar.
Caesar: Art thou sure, Anus?
McCainus: As sure as sure can be.
Caesar: I fear him not.
McCainus: For ‘tis with us that he hath cast his lot.
Caesar: Would he were fatter, though! But as a pawn
He used me first. Now that I am reborn
As alpha male, his love hath turned to scorn.
But, come, ‘tis nine; before night turns to morn
Let’s hie from here!
Vox populi: Upon his house a pox,
For he unleashed through lies Pandora’s box
Of Goya’s horrors ‘f war painted in oil…
Alarums, excursions. Enter sponsor 1
Sponsor 1: Did I hear oil? Halliburton the soil
Doth rake and rape and torture till we find
The precious liquid that we have in mind
To ship on no-bid contracts to our troops
At hundred times the price.
Cheneyus: Keep quiet!!!
Sponsor 1: Oops!
Cheneyus: Speak not too fully of our beauteous scam.
It must be hid in secrecy, this sham
Lest public knowledge prove a true game breaker.
So cross your hearts as I cross my pacemaker.
Sennet. Exit Caesar and his train,
but Ashcroftus remains behind. Exit sponsor 1
Ashcroftus: You pulled me by the cloak. Woulds’t speak with me?
Cheneyus: I would’st, but I forget lines one through three.
Ah, yes! What chanced on Lincoln by the coast
That he on every lip is now the toast?
Ashcroftus: Why, he did pose and posture like a king
With smirks and shoulders swinging, swaggering,
A-strut; but for a shining kingly crown
Had he a top-gun helmet fleeced with down.
The crew thrice cheered, as on the Lupercal,
Ev’ry last man and child and ev’ry gal,
The whole damn rabblement, the tag-rag horde.
As I do speak the truth, or on my sword
Let me now fall!
Rummeus: And Fristus, did he speak?
Ashcroftus: Aye, speak he did, but t' me it was all Greek
Alarums. Tantrums. Enter Caesar, frothing
Caesar: Not Greek, but Grecian! See, I know my grammar!
Will S.: Out, Bush! ‘Tis not thy time. Into the slammer
Put him until Act two Scene Two!
Caesar: See, mate,
My skills they do misunderestimate
Wordsmith: If you have tears, prepare to shed them now,
Ye muses, for our language struck so low.
Will S.: How comes he here unprompted by the text?
I am afeared of that which might come next.
My cast doth come to life, like Frankenstein,
Recasting, uncontrollable, each line.
Out, out with him!
Writing C.: Out, out!
Wordsmith: Out, out!
Grammarian: Out, Out!
Caesar: Ow! Ouch!
Writing C.: Take that!
Wordsmith: And that!
Grammarian: You saucy lout!
Caesar: Hands off, base knaves! Unhand me!
Sennet. Stagehands drag Caesar off, snarling
Rummeus: Ashie, wilt
Thou sup with me tonight on fish gefilt?
Ashcroftus: No, I am promised forth.
Rummeus: Then wilt thou dine
With me tomorrow night at half past nine?
Ashcroftus: Ay, if I be alive. Hast chicken broth?
Rummeus: Good golly, yes!
Ashcroftus: I’ll come then. Farewell both.
Exit Ashcroftus, draping a naked statue of Justice with his toga, and mooning the audience
Cheneyus: What a blunt fellow is this grown to be!
So slow of mind and hand. No busy bee!
He was quick mettle when he went to school.
Rummeus: This tardy form he puts on just to fool.
This rudeness is a sauce to his good wit
Hidden beneath appearance of a tit.
Cheneyus: So be it then. Tomorrow let us gather
That I may ken more fully thy mind’s blather.
Rummeus: Indeed!
Exit Cheneyus, falling over forum wall and clasping pacemaker
Well, Cheney, noble art thou now,
The ship of state, pray, take it by the prow!
And after this, let Caesar know it sure;
For we will shake him, or worse days endure.
Exit Rummeus, cackling like a witch
At the dawn of the new millennium, after centuries of turning over in his grave, William Shakespeare can take it no more and has turned over right out of his tomb to chronicle once more the vanities and inanities of humankind.
He has hired a writing coach, a wordsmith and a grammarian, not to even dare to try to improve on his sublime verse - may heaven forefend - but to update him with the latest allusions, slang and pop culture.
Monday, August 30, 2010
Tuesday, August 17, 2010
2 - The Tragedy of Bushius Caesar Act 1 Scene 1
Enter Hastertus, Delayus and certain Commoners including a Carpenter and a Cobbler
Delayus: Hence! Home, you idle creatures, get you home!
Think ye that Washington’s become a Rome
That on a labouring day ye labour not?
[aside] Oh, Lord, who wrote this effing crock of rot!
Will S.: . ‘Tis I. Carp not! Let's carpe our diem,
And do thou now such pesky questions stem.
For ere, forsooth, comes dark'ning end of day
Wilt thou see fine and clear where wends our play.
Delayus: And thou, foul commoner, what is thy trade?
Carpenter: Why, sir, a carpenter.
Hastertus: Then to thy spade,
Saw, chisel, plane, whatever, hie thee hence
From welfare, and thus earn a poor man’s pence.
Writing: Hey, Will, what gives that each two lines do rhyme,
Coach: When not thus didst thou do in ancient time?
Will S.: The doublet rhyme gives emphasis and stress
To imbecilities and senselessness.
Delayus: But, to the point! And you, what trade are you?
Cobbler: Why, sir, a cobbler, born and bred and true.
Hastertus: A gobbler? Gobble me, thou naughty knave!
Delayus: No, Denny, cobble with a C. A slave
Art thou to Freud forever with thy slips!
Hastertus: Gadzooks! From C to G is but four blips.
But to the point, base knave, why art thou not
Within thy shop today?
Cobbler: Have ye not wot?
Grammarian: ‘Tis ‘witen’ in this past tense.
Will S. Shut thy gob!
He speaks the tongue of some illit’rate slob.
Or morrow, ere we carpe our diem,
Will dawn.
Cobbler: Wot? Witen? That today, ahem…
The Bushie Caesar doth return today
From great campaigns victorious far away
In nucular-free Eye-Irak, o’er world holds sway.
Vox populi: Our pax is gone! Our pox is come! Oi vey!
The Bushie doth so ramble, stumble, yak
That black is white, quoth he, and white is black.
And now in triumph doth he dare parade,
As false as any triumph that he made
O’er blood of Gore, these three years hence withdrawn
From craven Court, unto his wiles a pawn.
Such blunderings do cause our heart to burn,
And with them even more for Gore to yearn.
Alarums, excursions. Enter sponsor 2
Sponsor 2: And now a word from our dear sponsor comes:
Thine heart doth burn, forsooth? Then just take Tumms.
Thou belch’st, thou eructate'st, thou burp’st too much?
Let Tumms sublime now oil thy gastric clutch.
Will S.: What is this interruption vile and foul,
That makes me want to go and move my bowel?
Writing C: O Will, thou art indeed in evil mood,
Thou snapp'st, thou bark'st, yet ads like these put food
Upon the table.
Will S. Yes, my mood is vile
Sith thou hijacked my play and raped my style,
Thus conning me to turn my ancient verse
From gold to Bushie-isms, even worse.
Thus wouldst thou have me take my greatest plays
And massacres inflict ‘pon them in ways
To make them correspond to modern tales
With which they have much less than whales with Wales
In common. Thus wouldst thou I shoehorn in
The Caesar's play each ev'ry Bushie sin.
I cannot and I will not poison thus
My verses’ nectar with such toxic puss.
Writing C.: Thou will’st, thou must’st; thou canst do it, I knowst.
Will S. 'I knowst?’ Base varlet, why, thy grammar’s toast.
Hastertus: Stop bickering, you two, like man and wife.
For me this is the best role of my life.
Just let the play go on; I want to shine.
Delayus: Me too, forsooth, my role's e'en yet more fine.
You two, like hissing pussies, interpose
Your petty quarrels. We will you depose.
Will S. Shut up, you fools! I am the great decider;
I'll boot you out ere snide remarks get snider.
O writing coach, our actors now rebel;
I'm quitting, zounds, so let them go to hell.
Writing C.: O Will, sweet Will, please stay, please stay the course;
In writing plays, thou'rt nature's greatest force.
Hastertus: Yes, stay on, Billy; let me say my lines.
Delayus: Me too. I need the cash to pay my fines.
Writing C.: He doth, sweet Will; he's gone and done some wrong
And Abramoff now sings th' canary's song.
Delayus: In all the realm there is no finer toff
Than mighty billionaire Jack Abramoff,
Who for my golfing trips abroad doth pay,
And I the green light give and say okay
To all his clients' gambling interests,
Thus swelling all th' casinos' treasure chests
Of Injuns, pale faces. I offset
The threat from gambling on the internet,
By blocking actions, bills within the House.
And he affords much ducats for my spouse
For no-show jobs, and for my noble daughter
Likewise more glinting ducats than he oughta,
That I should ban the web-based competition.
Did this in Tom Delayus seem ambition?
Will S.: Stop! Stop! Thou jump'st ahead, foul bunch-backed spider,
The pages gummed together, thou leap'st wider
To scenes and acts ahead, nor is it thine
To parrot that renowned iconic line.
Delayus: Oops! So I did; my bubble-gum did glide
From mouth to play and glue the text inside
Unto act three scene two.
Will S. Enow! I quit!
O writing coach, I thank thee for thy wit,
In teaching me new slang like toff, putz, schmuck,
But I must go forthwith. I wish the luck.
Thou wouldst that I do take the Caesar’s gold
And turn it into dross, as if I’d sold
My soul unto the devil, say white’s black
And black is white, a bard no more; a hack!
How can a tale of woe, of noble grief
Be changed to talk of Bush? I would as lief
Return unto my grave, for e’er around
To turn, ere I had left that sodden ground.
How could I thus abuse, pervert my verse!
Writing C.: Why, Hollywood each day doth do much worse
In bringing to the screen true facts from life
In which no fact, with falsities so rife,
No single fact, not even one, doth hew
To anything that’s even halfway true.
And when they take a book to represent
Upon the silver screen, not one event
Doth represent the book writer’s intent.
Gone with the wind, my friend? The wind gone went.
Will S. Well, since I’ve left rotating in my grave
To come once more upon the stage, a slave
To chronicling the foibles, flams and flims
Of humankind, I will indulge thy whims,
Since I did rent thee t’ keep me up to date
On all that’s new, the slang, the utmost late
Of latest trends, pop culture, all I’ll need
For fanciful allusions in each screed.
But still the doubts beset my own sweet self
About true adaptation.
Writing C.: From the shelf,
As I have told thee, Hollywood a book
Doth take to turn to film without a look
At what the substance says; so must thou now
Adapt Caesar anew without a bow
To the original. An Oscar too
Will be thy great reward the less it’s true.
Hastertus: Please, please, O Billy, let's get on with th' play
Delayus: Yes, please dear Bill, please let me have my say.
Will S. These whoresons vile, I'll let them all proceed
But why the Tumms and sponsors do we need?
Writing C.: If thou want’st backing for thy plays, my liege,
Then let the adman's message thee besiege!
Will S. We need the ducats, yes, but choose a time
For ads that do not interrupt our prime.
Now on great Julie's world we ring the knell
And transform all into the Bushie hell.
Exeunt omnes in different directions singing America the Beautiful
Delayus: Hence! Home, you idle creatures, get you home!
Think ye that Washington’s become a Rome
That on a labouring day ye labour not?
[aside] Oh, Lord, who wrote this effing crock of rot!
Will S.: . ‘Tis I. Carp not! Let's carpe our diem,
And do thou now such pesky questions stem.
For ere, forsooth, comes dark'ning end of day
Wilt thou see fine and clear where wends our play.
Delayus: And thou, foul commoner, what is thy trade?
Carpenter: Why, sir, a carpenter.
Hastertus: Then to thy spade,
Saw, chisel, plane, whatever, hie thee hence
From welfare, and thus earn a poor man’s pence.
Writing: Hey, Will, what gives that each two lines do rhyme,
Coach: When not thus didst thou do in ancient time?
Will S.: The doublet rhyme gives emphasis and stress
To imbecilities and senselessness.
Delayus: But, to the point! And you, what trade are you?
Cobbler: Why, sir, a cobbler, born and bred and true.
Hastertus: A gobbler? Gobble me, thou naughty knave!
Delayus: No, Denny, cobble with a C. A slave
Art thou to Freud forever with thy slips!
Hastertus: Gadzooks! From C to G is but four blips.
But to the point, base knave, why art thou not
Within thy shop today?
Cobbler: Have ye not wot?
Grammarian: ‘Tis ‘witen’ in this past tense.
Will S. Shut thy gob!
He speaks the tongue of some illit’rate slob.
Or morrow, ere we carpe our diem,
Will dawn.
Cobbler: Wot? Witen? That today, ahem…
The Bushie Caesar doth return today
From great campaigns victorious far away
In nucular-free Eye-Irak, o’er world holds sway.
Vox populi: Our pax is gone! Our pox is come! Oi vey!
The Bushie doth so ramble, stumble, yak
That black is white, quoth he, and white is black.
And now in triumph doth he dare parade,
As false as any triumph that he made
O’er blood of Gore, these three years hence withdrawn
From craven Court, unto his wiles a pawn.
Such blunderings do cause our heart to burn,
And with them even more for Gore to yearn.
Alarums, excursions. Enter sponsor 2
Sponsor 2: And now a word from our dear sponsor comes:
Thine heart doth burn, forsooth? Then just take Tumms.
Thou belch’st, thou eructate'st, thou burp’st too much?
Let Tumms sublime now oil thy gastric clutch.
Will S.: What is this interruption vile and foul,
That makes me want to go and move my bowel?
Writing C: O Will, thou art indeed in evil mood,
Thou snapp'st, thou bark'st, yet ads like these put food
Upon the table.
Will S. Yes, my mood is vile
Sith thou hijacked my play and raped my style,
Thus conning me to turn my ancient verse
From gold to Bushie-isms, even worse.
Thus wouldst thou have me take my greatest plays
And massacres inflict ‘pon them in ways
To make them correspond to modern tales
With which they have much less than whales with Wales
In common. Thus wouldst thou I shoehorn in
The Caesar's play each ev'ry Bushie sin.
I cannot and I will not poison thus
My verses’ nectar with such toxic puss.
Writing C.: Thou will’st, thou must’st; thou canst do it, I knowst.
Will S. 'I knowst?’ Base varlet, why, thy grammar’s toast.
Hastertus: Stop bickering, you two, like man and wife.
For me this is the best role of my life.
Just let the play go on; I want to shine.
Delayus: Me too, forsooth, my role's e'en yet more fine.
You two, like hissing pussies, interpose
Your petty quarrels. We will you depose.
Will S. Shut up, you fools! I am the great decider;
I'll boot you out ere snide remarks get snider.
O writing coach, our actors now rebel;
I'm quitting, zounds, so let them go to hell.
Writing C.: O Will, sweet Will, please stay, please stay the course;
In writing plays, thou'rt nature's greatest force.
Hastertus: Yes, stay on, Billy; let me say my lines.
Delayus: Me too. I need the cash to pay my fines.
Writing C.: He doth, sweet Will; he's gone and done some wrong
And Abramoff now sings th' canary's song.
Delayus: In all the realm there is no finer toff
Than mighty billionaire Jack Abramoff,
Who for my golfing trips abroad doth pay,
And I the green light give and say okay
To all his clients' gambling interests,
Thus swelling all th' casinos' treasure chests
Of Injuns, pale faces. I offset
The threat from gambling on the internet,
By blocking actions, bills within the House.
And he affords much ducats for my spouse
For no-show jobs, and for my noble daughter
Likewise more glinting ducats than he oughta,
That I should ban the web-based competition.
Did this in Tom Delayus seem ambition?
Will S.: Stop! Stop! Thou jump'st ahead, foul bunch-backed spider,
The pages gummed together, thou leap'st wider
To scenes and acts ahead, nor is it thine
To parrot that renowned iconic line.
Delayus: Oops! So I did; my bubble-gum did glide
From mouth to play and glue the text inside
Unto act three scene two.
Will S. Enow! I quit!
O writing coach, I thank thee for thy wit,
In teaching me new slang like toff, putz, schmuck,
But I must go forthwith. I wish the luck.
Thou wouldst that I do take the Caesar’s gold
And turn it into dross, as if I’d sold
My soul unto the devil, say white’s black
And black is white, a bard no more; a hack!
How can a tale of woe, of noble grief
Be changed to talk of Bush? I would as lief
Return unto my grave, for e’er around
To turn, ere I had left that sodden ground.
How could I thus abuse, pervert my verse!
Writing C.: Why, Hollywood each day doth do much worse
In bringing to the screen true facts from life
In which no fact, with falsities so rife,
No single fact, not even one, doth hew
To anything that’s even halfway true.
And when they take a book to represent
Upon the silver screen, not one event
Doth represent the book writer’s intent.
Gone with the wind, my friend? The wind gone went.
Will S. Well, since I’ve left rotating in my grave
To come once more upon the stage, a slave
To chronicling the foibles, flams and flims
Of humankind, I will indulge thy whims,
Since I did rent thee t’ keep me up to date
On all that’s new, the slang, the utmost late
Of latest trends, pop culture, all I’ll need
For fanciful allusions in each screed.
But still the doubts beset my own sweet self
About true adaptation.
Writing C.: From the shelf,
As I have told thee, Hollywood a book
Doth take to turn to film without a look
At what the substance says; so must thou now
Adapt Caesar anew without a bow
To the original. An Oscar too
Will be thy great reward the less it’s true.
Hastertus: Please, please, O Billy, let's get on with th' play
Delayus: Yes, please dear Bill, please let me have my say.
Will S. These whoresons vile, I'll let them all proceed
But why the Tumms and sponsors do we need?
Writing C.: If thou want’st backing for thy plays, my liege,
Then let the adman's message thee besiege!
Will S. We need the ducats, yes, but choose a time
For ads that do not interrupt our prime.
Now on great Julie's world we ring the knell
And transform all into the Bushie hell.
Exeunt omnes in different directions singing America the Beautiful
1 - The Tragedy of Bushius Caesar - Dramatis Personae
BUSHIUS CAESAR
LAURA, his wife
KARLUS ROVIUS, servant to them
DICKUS CHENEYUS
LYNNA, his wife,
SCOOTERUS, their servant
DONALDUS RUMMEUS Patricians who with Cheneyus
TEMPESTA NORTONA who conspire against Caesar
JOHANNUS ASHCROFTUS
BILLIUS FRISTUS Senator
DENISUS HASTERTUS Representatives
TOMASUS DELAYUS
JOHANNUS McCAINUS Would-be ruler in Acts 4 and 5
GEORGIUS P. BUSHIUS Caesar’s nephew and adopted son
PAULUS WOLFOWITZUS Servant to Rummeus
A Soothsayer
A Cobbler
A Carpenter
Will Shakespeare
Grammarian
Wordsmith All in the wings throughout
Writing coach
Vox populi
Sponsor 1: Halliburton
Sponsor 2: Pharmaceutical industry
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